Day 57 "Hiking Among Giants 2"

"Imagination will often carry us to worlds that never were. But without it we go nowhere" Carl Sagan
Olympia National Park has 3 biospheres within one park. My drawing depicts the southwest corner of the park around Quinault River. This area contains the world's largest Sitka Spruce, Douglas Fir, and Western Red Cedar.
I wanted to depict the enormous size of these trees in "Hiking Among Giants 2". This is a large pastel and I've worked on it on and off for a couple of months, but finally it's finished and ready to go to KYCrafted The Market.

"Hiking Among Giants 2" 24" x 18" pastel on Uart sanded paper with oil wash

Day 56 "Mingo Flats Eve" final

"To live a creative life we must lose the fear of being wrong." Joseph Chilton Pierce
Well, here's the final version of "Mingo Flats Evening" and I've included the plein aire piece I drew in West Virginia last summer.

"Mingo Flats Evening" 16" x 36" on sanded paper created with pastel primer

This is the original sketch which included a hazy reference to the forest that lies in front of the field.

"Mingo Flats" plein aire sketch

Day 55 "Mingo Flats Evening"

"What art offers is space - a certain breathing room for the spirit." John Updike
Mingo is my breathing room.
I think "Mingo Flats Evening" is finished but it's always helpful to see the image small on the computer screen. Composition and strength of color and contrast become more evident when the image is small.
I'm not happy with the forest in the foreground and although the valley does appear this way, as an artist I need to make a change. Just not sure what that will be.

"Mingo Flats Evening" 16" x 36" 

I'm tempted to eliminate the foreground forest completely.

"Mingo Flats" - photoshop

Photoshop Elements is a great tool. I think tomorrow I'll eliminate the forest because it is creating a barrier between the viewer and the meadows. I should have done some thumbnails on this one even though it worked in the plein aire sketch. As Scarlett O'Hara said, "I'll think about that tomorrow."

Day 54 "Mingo Flats Evening" detail

"You, at least, know that it (solitude) exists, and that it is the source of peace and joy." Thomas Merton
Mingo, West Virginia is that place of solitude for me. When I sit in the fields above Mingo Flats I can hear a distant tractor, a dog barking and maybe a big rig over on highway 219 as it makes it way up the mountain. But mostly I hear the wind and hawk's call as it circles above me. I hear God's voice say, "Rest here. You are safe in My Hands."
This pastel will eventually be 16" x 36" but of course, I didn't finish it today. 

"Mingo Flats Evening" detail

Day 53 "Those Skinny Trees"

I kind of feel like the day ran me today.
The name of this piece is "Those Skinny Trees" because I can't remember the name of these trees; maybe it's cedar trees. We were told that the Italians don't like these trees because they associate them with a cemetery. But now tourists associate them with the Italian landscape that many Italians and probably Americans who have bought second homes in Italy (wouldn't you love to do that!) plant these trees along the roadsides.

"Those Skinny Trees" 8" x 12" Wallis Belgium Mist sanded paper with oil wash

Day 52 "Tuscan Farmhouse2"

"Life is a banquet and most poor suckers are starving to death." Rosalind Russell
Here's the 16" x 12" version of the little sketches from yesterday and as usual I'm not completely satisfied with the end result. I may try it again with some changes to the middle field, but if I continue to mess with this one I will sacrifice the freshness of the strokes.

"Tuscan Farmhouse" 16" x 12" on Wallis Belgium Mist sanded paper

I'm hard to please but it's good to be a strong self critic when it comes to your own work. We all need to keep striving for that next best painting. Just don't let the self-critique become a noose around your creative neck so you become too paralyzed to try.

Day 51 "Thumbnails"

"10% inspiration, 90% perspiration" various authors
Aw, the lovely thumbnails drawings that everybody needs to create and nobody likes to take the time to do them. 
Feb. 2011 Pastel Journal Magazine has a great article by Marla Baggetta "Good Study Habits" where she talks about and shows how to create thumbnail drawings in black and white and tiny pastel drawings before starting your actual piece.
And yes, I'm just as bad as everyone else - telling my students to make thumbnails, but not following my own advice. Today, while recovering from a mini-mini indoor triathlon, I sat in a chair for about 2 hours and created some black & white thumbnail sketches and then some tiny 2"x2" color pastel thumbnails. I'm working on the final piece from these studies and will post it tomorrow.
But for now here are my sketches.

"Tuscan Farmhouse" thumbnails

"Tuscan Farmhouse" studies 2" x 2" each