"The longer you look at an object, the more abstract it becomes, and, ironically, the more real." Lucian Freud

The three biggies for a successful painting are 1) Composition  2) Color  3) Content

Today I worked controlling a mood through color choices.

The first of "Frank's Sheds" is suppose to convey a bright sunny morning with an upbeat mood using analagous colors of blue/green/yellow/orange range.

In the second one I tried to convey a quiet, hazy, thoughtful mood by using grayed colors in a split-complement color combination of blue/purple and a gray-green and a bit of accent color pink.

"Frank's Sheds 1" 12" x 8" on LaCarte sanded paper

"Frank's Sheds 2" 12" x 8" on LaCarte sanded paper

Going Down to Mingo

"If I could say it in words there would be no reason to paint." Edward Hopper

Today I attended a "Winter Images" oil painting workshop with Dan McGrath held at Artists' Attic in Lexington, KY. Wow, that was a powerful workshop and Dan's a great teacher.

But because I was painting in oils all day, I don't have a "Pastel A Day" to post.

Instead I'll post an image of the piece I have donated to the Living Arts and Science Center's fundraiser which will be held at Big Ass Fan's home office on February 11.

"Going Down to Mingo" 16" x 24" framed pastel to be auctioned at LASC fundraiser

Pleasant Valley demonstration

"You can't depend on your eyes when your imagination is out of focus."  - Mark Twain

I'll be teaching a pastel workshop at Artists' Attic next weekend. In preparation for the class I create an image in advance and take digital photos to provide a step by step hand-out for the class. This is the landscape image for the class.

"Pleasant Valley demo" 8"x12" on LaCarte sanded paper

Pisgah Pike Sketches

"Don't expect anything original from an echo."  -Author Unknown

Funny quote. Here are the black and white thumbnail sketches that I drew to explore the composition. Then I created color thumbnails, actually about 3" x 5", sketches to explore color relationships.

Notice that in the final pieces, which I posted in last night's blog, I left out the telephone pole. It was too dominate as an element and took the viewer's attention away from the road.

Pisgah Pike - Three Studies

"He who has imagination without learning has wings but no feet."  -Joseph Joubert

"The well laid plans of mice and men." I don't know who said that but it explains my "Pastel a Day" concept falling flat after just one day. So tonight I'm posting 3 images to make up for my laziness last night.

I recently watched a wonderful video by Colleen Howe who talks about preplanning your pastel and we all know how important thumbnail studies are but so few of us do them. These 3 pastels were created after I did color thumbnails which are creatively freeing. As an artists you have only time invested because no one is going to see them, so you can be more free to experiment with color. I actually like the little studies even more than these 3 but I'll have to post the studies tomorrow.

Which one do you like better?

"Pisgah Pike 3" pastel on Wallis sanded paper

"Pisgah Pike 2" 8" x 11" pastel on Wallis sanded paper

"Pisgah Pike 1" 8" x 12" pastel on sanded paper

55 days of New Pastels

"Art washes away from the soul the dust of everyday life" Pablo Picasso

I've used this quote before but I love it so much that it's a good start for my next run at "Pastel a Day".  For the next 55 days, which is how many days I have before "Kentucky Crafted The Market", I'll create and post a pastel each day. I did 60 days last winter and it was a great motivator to explore and produce.

This is a scene from Shaker Village which I have reworked again because it seemed too dark when I showed it at the last art fair. Sometimes it takes framing a piece and then standing back and just looking at it for awhile to make decisions about it's future. Too many times I've overworked a piece to be disappointed that I filled up the texture of this paper which I create using Art Spectrum's pastel primer. The great thing about this paper is that if I overwork the paper I can wipe off the too heavy application of pastel with a baby wipe and go all the way back to the color pastel primer and then start more carefully adding layers of color.

"Shaker Fields Dusk 1" 16"x20" matted on sanded paper created with pastel primer

Still LIfe set up

For my class tomorrow we're working on a still life set up and here's an idea of how to create an environment for light and shadow to illuminate your still life.

Take a box large enough to display your still life objects. cut a hole in the box for your personal light source to shine through the hole. Find your personal light source. I used a small flexible arm reading light.

Below are also 3 different still lifes using fruit. And the final shot is the box set up with light source

Still Life #1 - 5 pieces of fruit but a boring arrangement

Still Life #2 has a more interesting arrangement of fruit and objects as well as light and shadow

Still life #3-I like the light and shadow of the box sides and the shadow from the fruit

Still life set up with flexible arm reading light and medium size box